Apr 052011
 

I Am Jackie Chan CoverJackie Chan was one of the biggest film stars in the 80′s and 90′s, famous for his face-paced and deliberately silly action films filled with incredible stunts. This autobiography was released in 1998 and covers his life up until his Hollywood breakthrough (Rush Hour).

His story starts in the poorer parts of Hong Kong, where his parents ended up after fleeing the Chinese civil war. His father managed to get a job at an embassy, eventually leading to a job in Australia. Always a rambunctious child, Jackie was left behind at a Chinese Drama Academy where, under the very struct tutelage of an aged master, he spent the next decade learning the skills of Chinese opera (including acrobatics and martial arts.) There was a lot of overlap between stage performance and the Hong Kong film industry, so the move to film was natural. The book chronicles his rise (with many setbacks) through the world of stuntmen as a callow youth, eventually maturing enough to star in and produce his own brand of infectious comedies that eventually earned him fame and fortune. Roll Credits.

Jackie Chan with Stephen Seagal
The book is fill with amusing photographs like this one. Who would win in fight?

It sounds suspiciously like one of his movies (pretty much all of his early films, at least.) Chan tells his story with broad brush strokes and much wit, and the result is certainly an entertaining read, but I never really got the feeling that it revealed much about the man. As a young man he admits to drinking and gambling to excess, and then all of a sudden he doesn’t. He finds first love, which her parents forbid. She dies years later, unmarried, and Jackie admits to secretly helping her out without her knowledge in a quick paragraph. His wife and child are briefly mentioned in a single chapter and then disappear. Part of this may be that Chan is a workaholic that is always on set, but people expecting a warts-and-all tome of introspection will be disappointed.

Nevertheless, I am Jackie Chan is an enjoyable and informative look into the Hong Kong film industry and the disappearing world of Chinese opera schools. And just like his films, the book ends with a blow-by-blow account of his worst stunt injuries – how is he still alive?

Highly recommended.

Sep 202008
 

A man reluctantly lets his teenage daughter take a trip to Paris. As soon as she arrives she a kidnapped (or taken, if you will) by an evil white slavery ring. Luckily she was on the phone to her father at the time and manages to scream out a description of her attackers. Even more lucky – her father is a retired “fixer” for the US government with the skills to take on a small army. He quickly flies to Paris and sets about finding his daughter using the time-honored shoot-everything-in-sight technique.

A bog standard revenge film, Taken does little to distinguish itself except by being a little more brutal than average. The hero kills and tortures dozens of nameless people to get his idiotic daughter back. Sure, “dey were all bad” (read the previous phrase in an Austrian accent) but half the people killed were only tangentially involved. Of course, the police are no help and are actively working against him – the city of Paris should sue the producers for defamation.

In short, not one of Stephen Seagals best films.

What did you say?

It’s a Liam Neeson movie?

No way!

Not recommended unless you really, really like this sort of thing.

May 062008
 

Iron ManIn the pantheon of super heros, Iron Man is strictly C-list. Batman and Spider Man are the top of the heap, Superman is boring but gets a pass by being there first. Who else? Possibly Wolverine and the Hulk on a good day. Wonder Woman? Maybe. The Silver Surfer? If one was being charitable.

Beneath them are the second stringers: The Flash, Mr Fantastic, the rest of the X-Men. All good people to have on your side, but not your first phone call in the event of villain related shenanigans.

Lower still are the lame heros, unworthy of being called super. Daredevil and Electra, The Punisher, and Iron Man. Although they have their (deluded) fans, these characters are destined to see out their days fighting equally terrible bad guys in their own vapid and desperate movie franchises. Which makes the fact that Iron Man is a fantastic film all the stranger.

Tony Stark is a fantastically wealthy playboy engineering genius, but without the emo angst that makes Bruce Wanye no fun at parties. In fact, Stark is actually a bit of an asshole, and an arms dealer to boot. Circumstances conspire to compel him to change his mind about the arms dealer part, but he remains an asshole even after he invents a really cool suit. This is at least an interesting change from the usual self-sacrificing dullards that usually pollute our screens. The female characters don’t do anything, but they don’t in any of the other films either, so no change there.

All super hero movies take large amounts of time tediously establishing where the hero comes from and how they acquired their fabulous powers. Iron Man follows this mold, but takes the daring approach of actually making the origin story entertaining. The script is witty without resorting to stupid one-liners, and the special effects are great. Later one Iron Man settles down to become more of a standard goody vs baddy battle, but this is not drawn out and the film knows when to roll the credits, which is more than I can say for many hero movies.

Highly Recommended